![]() That imagery, along with artwork that followed, helped give Black Hole a unique visual identity that chimed with the dreamy and otherworldly nature of the music. Part of that was down to the success of their first release – the Magik CD compilation with its fairy imagery (borrowed without permission and thus later removed) from acclaimed British artist Patrick Woodroffe. It was a perfect pairing and the label soon became known around Europe as a bastion for the freshest sounds around. Largely, Tiësto did the music, Arny did the business. The pair decided to go it alone and set up Black Hole Recordings in 1997. Before long, they used a Basic Beat sub-label as a launch pad and inaugurated the now legendary Forbidden Paradise and Lost Treasures mix series to showcase these emotive new sounds. In those days, hardcore and mellow house music were most popular, but Arny and Tiësto were more excited by the then-new trance sound. It was on dance floors like this that Arny and Tiësto truly solidified their relationship, so when Bink became manager for a hardcore label that was set up by the newly founded Rotterdam company Basic Beat, he naturally put Tiësto forwards for a position behind the counter of the Basic Beat record store. The popularity of electronic music in the region also gave rise to weekend-long mega raves in clubs like Extreme, Illusion and La Rocca. It was all these styles and more that Arny would often sell to Tiësto - who at the time had not yet adopted his iconic moniker - at Breda record store Tunesville. And the geography of the small city is important – its location close to the border with Belgium and not all that far from Germany meant that the acid, techno, wave and EBM of those countries spilled over and mixed with the Dutch gabber movement. Tom Parker, but the arguably even more iconic Black Hole co-founder Tiësto, and Arny himself. The label’s roots lay in the southern part of the Netherlands in the city of Breda, the birthplace of not only Elvis Presley’s manager Col. Despite its considerable influence on the scene, it still operates from a small office with a tight-knit team of 13 people (divided, it should be noted, almost equally between genders, which is still an all too rare thing in the world of dance music.) It is now a company that has been pivotal to the emergence, survival and thriving of too many artists and sub-labels to mention. In that time, the label has gone from early trance innovator to global trance ambassador. That Arny Bink’s Black Hole Recordings celebrates a quarter of a century in action on September 15th, then, is remarkable. Or for a label to explode overnight and then implode before they even get into double digital catalogue numbers. ![]() It is not uncommon for breakout artists to come and go in a matter of months. In terms of electronic music, it can be multiple lifetimes. “For me, it feels like we’re really seeing it for the first time,” said lead author Lia Medeiros, an astrophysicist at the Institute for Advanced Study in New Jersey.Twenty-five years is a long time by any measure. The resulting picture looks similar to the original, but with a thinner “doughnut” and a darker center, researchers said. In the latest study, scientists relied on the same data and used machine learning to fill in the missing pieces. ![]() It was made using data gathered by a network of radio telescopes around the world, showing swirling light and gas.īut even with many telescopes working together, gaps remained in the data. The image released in 2019 gave a peek at the enormous black hole at the center of the M87 galaxy, 53 million light-years from Earth. The updated picture, published Thursday in the Astrophysical Journal Letters, keeps the original shape, but with a skinnier ring and a sharper resolution. Now, researchers have used artificial intelligence to give that cosmic beauty shot a touch-up. NEW YORK (AP) - The first image of a black hole captured four years ago revealed a fuzzy, fiery doughnut-shaped object.
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